Although there is a certainly a focus on black writers, not every piece is about the black experience. Karla’s piece touches on identity and familial relationships, which can be applied to everyone.
Yes, she’s so good. I don’t want to be mistaken though. Spook isn’t only for black folks. Spook, the title, comes from this idea of being “othered” or left out so the flip on that is we’re re-imagining what Spook means with our art and our essays and poetry.
My goal for Spook has never been for it to be exclusive to the black experience. I do want it to be an outlet for alternative voices. The onus, though, is not entirely on me. It’s also up to the reader to look beyond the content and understand that our stories, despite being told through a certain lens, speak to a number of circumstances: our struggle with identity, the need to belong—to a person, place, or idea—one’s capacity to love, so on and so forth. These are universal themes that all people wrestle with. But, to answer your question, I create a perception of Spook being for everyone by publishing content that, above all, aims to deepen our understanding of the human experience. If someone really gets it, they’ll see that it’s not just about black people or black voices. I’m not saying that Spook defies categorization but it’s not as self-defined as people make it out to be.
What were some of the challenges you faced putting Spook together?
I come from a creative and editorial background. I’ve never done the business side of a magazine so putting it together was a big learning experience. I was kind of making it up as I went along. I invested my own money into this so I was making sure the pricing was right so that I would break even or make a profit and on the creative side, I was corralling people and making sure we were on deadline. Also balancing that with my day job and my personal life and wanting to go out and see my friends. It’s a big balancing job. I’m not sure how long I’ll keep this going. I’m at least doing a third issue. The reception has been great. It’s kind of a like a passion project at the moment. I always say it’s a lot of work but a lot of fun work.
It must have been so gratifying when you got the first issue.
Yes, when I got the proof it came to my apartment and I was smiling at it all day [laughs]I’m also able to track readers through the publishing platform we use. I’ll see places in Georgia or on the West Coast in the Midwest and even in London. It’s not just New York or LA where I’m from. It’s been exciting and also overwhelming sometimes because it’s just me.